Press.

Interviews, features
& recognition.

  1. South Dakota Magazine

    Charlie Buhler: Let’s Tell Our Stories

    Charlie Buhler holding a camera beside a dog on the July/August 2025 cover of South Dakota Magazine.
  2. shots Awards

    Music Video of the Year

    Black-and-white scene from Black Superhero, with a child being held indoors.
  3. Notre Dame Magazine

    Writing Her Own Script

    A camera operator and director beside a cinema camera on set.
  4. Clio Awards

    Black Superhero Wins at the Clio Awards

    Two people embracing outdoors in a black-and-white scene.
  5. ADC Awards

    Black Superhero is a finalist for Best Music Video at the 101st ADC Awards

    Three young people with bicycles along a rural path.
  6. Shado Magazine

    From Compton Cowboys to Rosebud rappers: how Charlie Buhler is defying stereotypes of BIPOC communities

    A young rider standing beside a horse.
  7. Rolling Stone

    Robert Glasper Teams With Killer Mike, Big K.R.I.T. for New Song ‘Black Superhero’

    Two people lying head-to-head in a black-and-white close-up.
  8. MEAWW

    'Before The Fire' director Charlie Buhler says 'structural change' needed to give women filmmakers more visibility

    A filmmaker holding a camera in tall grass.
  9. Madame Blue

    Charlie Buhler is Breaking Boundaries and Championing Representation in Filmmaking

    Portrait of a woman looking back along a garden path.
  10. Frame.io

    Before the Fire – A First Feature From Two Fearless Females

    A wooden house burning at night.
  11. MovieMaker

    Before the Fire Used Planes, a Burning House and Humvees to Reverse-Engineer the Timeliest Script of the Year

    A woman’s silhouette in front of a burning house.

From Compton Cowboys to Rosebud rappers: how Charlie Buhler is defying stereotypes of BIPOC communities

A young rider standing beside a horse.

In this shado interview, Charlie Buhler discusses how growing up as a Black, biracial woman in rural America shapes her filmmaking and photography. She describes the distance between her own childhood and the narrow versions of Black life she encountered on screen, and why rural Black experiences deserve to be part of that picture.

The conversation follows that perspective through Compton Cowboys and Rosebud, from Black equestrians in Los Angeles to Indigenous hip-hop artists in South Dakota. Buhler also discusses making Before the Fire with the people, locations, and resources available to her, and the importance of building trust with the communities she photographs and films.

Read original at Shado Magazine