Press.

Interviews, features
& recognition.

  1. South Dakota Magazine

    Charlie Buhler: Let’s Tell Our Stories

    Charlie Buhler holding a camera beside a dog on the July/August 2025 cover of South Dakota Magazine.
  2. shots Awards

    Music Video of the Year

    Black-and-white scene from Black Superhero, with a child being held indoors.
  3. Notre Dame Magazine

    Writing Her Own Script

    A camera operator and director beside a cinema camera on set.
  4. Clio Awards

    Black Superhero Wins at the Clio Awards

    Two people embracing outdoors in a black-and-white scene.
  5. ADC Awards

    Black Superhero is a finalist for Best Music Video at the 101st ADC Awards

    Three young people with bicycles along a rural path.
  6. Shado Magazine

    From Compton Cowboys to Rosebud rappers: how Charlie Buhler is defying stereotypes of BIPOC communities

    A young rider standing beside a horse.
  7. Rolling Stone

    Robert Glasper Teams With Killer Mike, Big K.R.I.T. for New Song ‘Black Superhero’

    Two people lying head-to-head in a black-and-white close-up.
  8. MEAWW

    'Before The Fire' director Charlie Buhler says 'structural change' needed to give women filmmakers more visibility

    A filmmaker holding a camera in tall grass.
  9. Madame Blue

    Charlie Buhler is Breaking Boundaries and Championing Representation in Filmmaking

    Portrait of a woman looking back along a garden path.
  10. Frame.io

    Before the Fire – A First Feature From Two Fearless Females

    A wooden house burning at night.
  11. MovieMaker

    Before the Fire Used Planes, a Burning House and Humvees to Reverse-Engineer the Timeliest Script of the Year

    A woman’s silhouette in front of a burning house.

Writing Her Own Script

A camera operator and director beside a cinema camera on set.

Notre Dame Magazine profiles Charlie Buhler’s path to directing Before the Fire and her interest in stories that challenge familiar portrayals of people and communities. The piece connects that approach to her experience growing up biracial in rural South Dakota, where she rarely saw a life like her own represented on screen.

Buhler discusses creating an opportunity to direct rather than waiting for one. Working with writer and actor Jenna Lyng Adams, she drew on family support, independent funding, and a South Dakota farm to bring the thriller to life.

Read original at Notre Dame Magazine